Reality.
A man narrates a feeling he had years ago. Someone he met. Someone he ran away from. Synchronicities and overwhelming emotions. It was too much. It couldn’t have been real. Or he didn’t think he deserved it. Self destruction. He squints as he drags on a joint. The smoke floats up on the lone greenish light in front of the apartment complex. Beers sweat on the concrete steps. The past.
–
“It all starts with a dream. Or is it a memory?”
–
The bells ring on top of the door to signal someone had come in. He enters and sees the familiar woman there. All smiles in recognition of him. “I think I’ll have the orange chicken this time. Is that good?”
“Yes very good.” She nods twice and smiles in assurance.
“OK I’ll trust you.” He turns to the familiar chair he always occupies on the corner of the room. There is one girl sitting on the opposite side, reading stacks of gossip magazines. She never looked up. He reads his book. A small breeze escapes the bottom of the door and pop hits from the late 80s, Diana Ross, Linda Carpenter, Whitney Houston, play to calm any visitor. She gets up from her chair and moves across the room. His eyes follow her atop his book.
“I’m sorry I know I said I was getting take-out. But can I get a plate? I’ll help you. I’m just going to eat here.” The woman and the girl start a dance. She tries to walk behind the counter to grab plates and utensils. And the woman calmly doesn’t let her. She shuffles and gets the plates underneath the counter. Only she knows the spot. And she ushers the girl back to her seat with the food.
“What did you get?” He talks at her across the room.
“Chicken curry and won tons. What did you get?” She tries to yell out.
“Orange chicken.”
“Great I like orange chicken.”
“I haven’t had it here before. I’m going to try it.”
“What?”
“I haven’t had it here before so I thought to try it.”
“Oh OK.”
“Do you live around here?”
“What?”
“Do you live close to here?”
“I’m sorry I can’t hear you. It’s hard to hear across the room.”
His food is ready. He asks for a plate as well and moves to stand in front of her.
“Can I sit here?”
“Sure! Do you want some of my won tons?”
“Yes. Do you want some orange chicken?”
“OK.”
They share their first meal.
—
“We’re having fun right?” He says to the scrunched up face he holds inches away from his.
Memories. Laying in a field surrounded by people, pointing at the stars. Laughing as a homeless man proclaims them “the newest couple in Hollywood.” The train shakes as he stands over her, holding her hand, staring into her eyes. Always holding hands. Kisses. Tiptoes. Closed eyes.
She pauses. Her eyes blink twice and the creases form slowly beside them.
“Yes, I’m having fun.”
“I’m not looking for anything serious…. Is that fucked up?” Their hands are still intertwined.
Her teeth graze her lips. “Is that a defense mechanism?”
“…I don’t know.”
She smiles at him again. “I’m having fun. Are you?”
“Yes, I am.”
“Stop being so serious.” She kisses him and walks away. She slings a backpack over one shoulder and her scuffed combat boots clunk heavily towards the side door. He follows her sluggishly.
She moves to leave but he pulls her back and kisses her. Her eyes close automatically, tiptoes again.
When the door closed behind her, the gun shot rang in her head, the sprinter’s sign. And so, she ran.
–
A view of a sea of lights. The city, embraced by the mountains, the stars trailing above it. They share a bottle of wine between it all. Kisses in the shower. Her hands run through his hair. He looks at her across a crowded room. She hides behind a gossip magazine as he walks through sunlight and enters the small restaurant.
–
He has a green cargo jacket on. His breath comes out in puffs in the cool night air. He tries to hunch so his neck could hide between his cuffs. His hands are deep inside his pockets. They stand in front of the neon lit diner. Legs constantly moving to generate heat. She wears a sweater that’s too long for her and a black hoodie to hide her hair. Those combat boots beating against the sidewalk.
He reaches over to try to rub her shoulders but he stops and puts his hands in his pockets again. The cars drive by as he waves his hands, emphasizing a point to her. Something that would make the knots on his forehead show. Something that would make him walk back and forth, furiously running his fingers through the curls on his head. She stands there listening to everything. Her hands rubbing the sides of her arms. She only looks up. Not a word passes out of there. And then, she reaches up to his cheeks. He stops moving and the couple stand still forever. For a moment. Tiptoes again and she whispers in his ear. An embrace. A brief but momentous kiss. She pulls away and turns around. She walks slowly away, head held high, fingers in her pockets. And he stands there. And he lets her.
–
“What did she say?” His friend coughs through the smoke and passes the joint on to him. He refuses this time.
His eyes look down. The memory again.
Her lips graze his ear. The midnight chill briefly escapes from them. “I love you.”
–
****
The sun beats down on his furrows.
“Where am I?” The horizon stretches for miles. Sand flurries rise up and whisper an ominous song. Something feels strange. Can he really feel here? Something is different. He looks down at his shadow. It is undecipherable. He tries to move his hands.
I have no hands
The motion prompts something else to move. His body is heavy. He can’t look to the side, only down. Something else is in the shadow. Paws? Hoofs?
Oh fuck, I’m a horse…. Fuck, fuck, fuck
The horse whinnies and starts to move in circles.
Wait, there’s something. There’s something on my back.
A moan. A hand falls sideways. A heartbeat. His heartbeat. Erratic.
***
What if the future is the past?
***
A woman sings hauntingly in the shower. Her eyes are closed.
“Dance me to your beauty,
with a burning violin.
Dance me through the panic,
til I’m gathered safely in.
Lift me like an olive branch,
and be my homeward dove.
Dance me to the end of love.
Dance me to the end of love.”
Her feet follow an invisible beat. And her hands move up above her eye line. A faint image appears. A ghost of a memory of a man is looking lovingly at her as they shuffle sideways. She sings to him.
***
They are singing to each other in a country dance hall. String lights illuminate the patrons. And we whirl with them as the band plays.
“Let me see your beauty,
when the witnesses are gone.
Let me feel you moving
like they do in Babylon.
Show me slowly
what I only know the limits of.
Dance me to the end of love.
Dance me to the end of love.”
***
He wakes up, in the same position as the image. He is looking at the empty space. Did he dream it?
He narrates.
“This would always happen. I never knew if I was awake or dreaming with her. Somehow the two worlds overlapped when she was around. Even when she wasn’t.”
He
***
Chase Bank neon sign lights up. His hands are in his pockets. He looks up. I remember this. Green cargo jacket. He turns around. He knows where she’s gone. He starts to run after her.
***
“Please tell me to go away. Tell me you don’t love me. Give me something to run away from.” She pleads to him. “I need it. Be mean. Please.” He tries to stop the flood of tears but the words come out first in rivulets.
***
Log: A pragmatic man must learn to believe in the extraordinary in order to save the woman he loves from a coma-induced dreamworld.
Log2: A woman lives in a coma-induced purgatory of dreams and memories; A rational man must learn to believe in the irrational link of a soul mate in order to save her.
Log3:
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